I haven’t gigged for a while. To be honest, I’ve been kind of uninspired by gigging. In a way that I find hard to describe.
Not as a performer, actually, but as an audience member. And I think it might be down to the fact that the main time I perform now is in the Bastard English Session. And when that session really works I find it so much more enjoyable than gigging. Maybe that’s why every gig gives me this odd sensation of… ‘shouldn’t there be something more?’
So, this month I am back to posting a new original track and a new adapted traditional track, after a couple of months of not being able to. But I’m going about it in a slightly different way.
One of the things that has proved a block to constantly posting new tracks for me was the logistics of preparing the album they would go on: getting a title, getting artwork, etc. And more than that, what the album’s general theme was, and whether each track would fit. Also, in order for a track to be ready for proper release, I need to ideally sit on it for 3 months, and come back to it and see how it sounds.
I’m a big fan of music videos. I’ve never seen them as purely a promotional tool; I believe them to be an extension of music, like cover art. They provide that visual dimension that music alone (obviously) lacks. And when they’re done right… Continue reading →
Amongst my many feathers on my bow, or fingers in many pies, or whichever mixed metaphors you prefer… doing some freelance mastering is a new one. I’ve been obsessed by mastering (as well as mixing) for some years now, and I’m now at the point where I feel happy doing it professionally. All part of the adaptive and many-threaded career of the modern musician. Continue reading →