Author: James Bell

  • Iran, Bluesky and Kat Abughazaleh

    Iran, Bluesky and Kat Abughazaleh

    Three big things this month that I think deserve a closer look.

    1. What happens if the US sends troops to Iran and they rebel?

    I’ve been theorising in my little newsletter for a long time that the endgame of the Trump administration is when they lose the Armed Forces. I feel like this endgame could get a whole lot closer if the US sends ground forces into Iran.

    There’s precedence for this. A seldom-talked-about phenomenon is that towards the end of the Vietnam war the US armed forces were essentially collapsing. GI resistance movements were springing up left right and centre, and the practice of ‘fragging’ – using explosives and grenades to wound and kill senior officers – was becoming increasingly widespread.

    It’s perhaps unsurprising this isn’t talked about, as it undermines the standard narrative that the problem was unpatriotic media and dissent back home and that, if the military was just left to get on with it, they were close to a decisive victory. They weren’t. The army was falling apart.

    It’s also unsurprising that, with Vietnam in living memory, the George W Bush administration was so keen to declare victory and an end to the Iraq war at the first possible opportunity. The strength of the government depends on having functioning armed forces, and being able to back up decisions with extreme violence if necessary. Once that goes away, foreign adversaries and domestic resistance movements start circling like sharks.

    I think this is why a swift and humiliating retreat from Vietnam was the only sensible strategy for the United States in the early 1970s. If it had become clear to the Soviet Union, at the height of the Cold War, that the United States was militarily impotent (despite being having best-funded military in the world) then maps might start getting re-drawn and the Cold War might start getting hot.

    Fast forward to today.

    I’ve seen credible journalism suggesting that the Pentagon is currently in no position to send troops to Iran, but the Trump administration might come to believe they have no other option.

    Is the Trump administration’s current war with Iran likely to be more popular, or even as popular, as the Vietnam war with US soldiers? With the disaster of the Iraq and Afghanistan wars in the recent past, I think it’s reasonable to suggest Iran will be much less popular than Vietnam.

    So what happens if the US Armed Forces, the final enforcement of Trump’s authority, refuse to fight and mount resistant campaigns like the ones in Vietnam? Many prominent figures in the MAGA movement have been advocating for a new American Civil War. However, if the Trump administration loses control of the Armed Forces in Iran and any domestic resistance movement starts to push for civil war, the Trump administration won’t realistically have an effective way to fight back. Knowing Trump, he might want to bomb his own citizens, but he wouldn’t be able to drop those bombs himself.

    We’re still a way away from this kind of crunch point. But if you’re curious what it looks like in practice…


    2. Bluesky CEO & founder Jay Graber steps down

    There was a point in late 2024 when Jay Graber, founder of Bluesky, was arguably the most important person in tech. She was the creator of a social media platform that seemed to be billionaire proof, to the extent where she personally trolled Mark Zuckerberg. [world without caesars]

    However, the platform seems to have lost a lot of its momentum. And there were questions about how truly billionaire proof it could be when it was funded by venture capital.

    So, when Graber announced this month that she was stepping down as a CEO and would be replaced by a literal venture capitalist, this might seem to confirm the critics worst suspicions.

    If you’ve read anything I’ve written about her in the past, it’s pretty obvious I’m something of a super fan. And it’s perhaps unsurprising that I have a different take.

    I do think this is a really big deal, but it’s probably a positive one, and the right step for Graber to take.

    Because she didn’t just step down as CEO. She technically demoted herself to chief technical officer. This means she is less focused on the Bluesky app itself, and more focused on the ‘AT protocol’ that it runs on.

    For the fan boys like me, the protocol (which Graber built) has always been more exciting than the app, because it means if the app gets ruined in any way, you can take all your data and posts and social interactions and move them to another app on the same protocol. This is the reason why it’s billionaire proof.

    This is all the more important in the Trump era. I think Bluesky was designed for the Biden era, when authoritarianism was knocking on the door but not making itself comfortable on your sofa.

    I think the reason why Graber accepted funding from venture capitalists in the first place was because Bluesky was always just the shop window for the underlying protocol, and she wanted to grow it as quickly as possible to spread the word.

    However, sooner or later venture capitalists are going to want a return on investment, and enough time has passed that she may have had to make the choice: pivot to making Bluesky profitable, or leave that to someone with a successful track record and instead focus on innovating the protocol.

    I can see why she would’ve chosen the latter.

    At the end of the day, Bluesky is just another Twitter clone, but the potential for the AT protocol ecosystem (‘the ATmosphere’) is pretty much infinite.


    3. Kat Abughazaleh loses

    Last year, independent journalist Kat Abughazaleh announced that she would be running for Congress in the 2026 Illinois Democrat primary.

    10 days ago, she lost that election.

    This is significant, because usually the winning candidate has a kind of energy behind their campaign. It’s the campaign everyone’s talking about. And Abughazaleh’s campaign was talked about around the world. You could feel it from across the Atlantic ocean.

    She campaigned with an even more direct anti-oligarch tone than Bernie Sanders and Alexandria Ocasio-Cortez. She was scathing about congressional Democrats. And her slogan was “What if we didn’t suck?”

    She lost to a slightly more progressive establishment Democrat. Daniel Biss is a local mayor who seems to be popular and has lived in the area much longer, and this was Abughazaleh’s first foray into electoral politics, so perhaps this shouldn’t be a surprise. However, she came second out of fifteen candidates, she lost by only 4%, and without any of the major donor funding her rivals.

    Above all this, however, the way she ran her campaign has been the talk of online politics. Her funding came from ordinary people instead of rich donors, and she spent the money directly on projects that helped her community. She frequently protested outside her local ICE detention centre, and got assaulted by ICE goons on camera.

    In short, she proved to be the antithesis of the ‘politics as usual’ which voting citizens have grown to despise the world over.

    Many, including myself, were expecting another Mamdani moment, but it didn’t happen. Why not? Everyone has their theories, but it’s hard to escape the issue of ‘Dark Money’.

    Once upon a time, there was at least the pretence that political candidates had limits on the amount of money they could spend on their campaigns, even if Rupert Murdoch could spend whatever the hell he liked and would always get his preferred choice. Now, in the age of cryptocurrency, even that pretence has gone, and dark money is just the new political reality. Elections are pay-to-play.

    It’s notable that both Biss and Kat were both on the receiving end of huge dark money attack campaigns, but in the final week, when they were both tying in the polls, Biss’s attack ads were all taken down and the attack ads against Abughazaleh intensified. In fact, in the final week a secret campaign was launchedoffering TikTok influencers $1,500 for every negative video about her.

    I think there are many of lessons to learn here.

    One is that financially supporting slightly more progressive establishment figures, in combination with infinite attack ads, might be the standard strategy for defeating candidates like Abughazaleh.

    But for those paying attention, I think the biggest lesson is that Abughazaleh’s campaign was so effective that only an openly dirty dark money campaign could defeat her, and even then only narrowly. And even then, perhaps just because this was her first election.

    She might well be the first of many.

  • February 2026: I’m so old and I don’t even care anymore

    Anyone want to swap birthdays?

    February 2026

    I’m so old and I don’t even care anymore

    I had so much excitement and motivation when making last months newsletter, and finally pivoting to just putting everything on a platform I owned. Then I got hit with a month where I had zero bandwidth, and so haven’t really been able to take it any further. Which is frustrating, obviously. It is also a big advantage of just having one day a month that I post things. Some months might leave me time to make a lot, and for others it may be all I can do to just write the damn newsletter. But at least I can pretty much always do that, and do it quickly.

    So this will be a pretty minimal one, in advance of what I hope will be a gigantic birthday spectacular next month where I’ve made a ton of stuff. I live in eternal hope.

    Having said it’ll be minimal, I do have a blog post. Last month I created a blog series called The Quiet Part Loud (where I could push all the politics out of the newsletter and thus stop each month from being a massive downer). I didn’t think I’d have time for it this month, but the Green party by-election win on Thursday made me optimistic enough to splurge a fair bit at the last minute.

    I’m also sharing an old song this month that I wrote a million years ago. I’ll get to that at the end.

    But first, I’m going to share a bunch of YouTube videos. Nothing remarkable about that – I do it every month. Except this time I have a bit of a thesis.

    I’ve been writing for a while about how YouTube has been turning into a boring hub for two-dude video podcasts, but this month I realised something…

    There is still a niche of old style YouTube videos that are doing very well, and they are the ones which are, for one of a better word, spectacular. They don’t just look good: they have a kind of visual energy and excitement to them.

    In fact, let’s get into that now.


    Recommended

    XYLA FOXLIN FLIES COAST TO COAST

    I have shared Xyla Foxlin videos in this newsletter many many times. But I want to share this two part video of her flying the United States from Coast to Coast in her 1943 Cessna prop plane, because I think it is a perfect example of where YouTube has moved.

    The tutorials, the react videos, the daily flogs, even the video essays have increasingly been broken into small clips and put on TikTok and Instagram Reels. That’s where the audience is, and I think fewer and fewer people are watching them on YouTube.

    But when people want to sit down and watch something on their big TV screen (and it’s hard to find a small screen these days) I think it tends to be this kind of YouTube video.

    Someone doing something exciting and epic, usually outdoors. Not a video about ideas or conversations, but about travelling or building or enduring.

    The views in both these videos are stunning. (And I don’t mean the number of times people have watched it.)

    Recommended

    LAURA KAMPF’S $1 CAMPER

    I’ve also shared Laura Kampf’s videos a bunch of times. And, while a bit less epic than flying across the US, I feel like it’s still in this same category of videos that are actually interesting to look at.

    Years ago she had a weekly series where she was renovating an old house in Germany. She has now moved to Los Angeles with her wife and stepchild, and in this project she is renovating a caravan that she bought for $1.

    I find it hard to track down fun, easy-going, low stakes, non-political videos that I can just watch and relax. This is one of the very few.

    Recommended

    KEEPING A LIGHTHOUSE

    I stumbled on this a couple of days ago, and it seems to be yet more proof that YouTube still favours people that make videos that are amazing to look at.

    This guy’s job is to maintain lighthouses.

    He (Scott Tacchi) has only 11 videos on his channel but they all have a ton of views (a couple in the millions) because he’s a good videographer and they are stunning to look at.

    This one is his most recent, about what it’s like living in a lighthouse during a storm with 108mph winds.

    And everyone in the comments loves the fact that onscreen he shows icons for TikTok and Facebook with big red crosses through them.

    Recommended

    BACKROOMS

    I realise that I tend to share trailers more than I share movies, and that’s because I don’t get to see many movies at the moment. But the all-seeing algorithm does feed me plenty of intriguing-looking trailers.

    This seems to be a horror film just based on the fact that some rooms feel intrinsically threatening. (Actually, on further research, it seems like it’s based on a whole pop culture phenomenon.)

    I hope the film is good because the trailer is creepy as hell.

    Recommended

    DIFFERENTIAL EQUATIONS

    This is very silly, and I keep watching it over and over again.

    Recommended

    GEORGE LUCAS VIDEOBOMB

    This is even sillier, and exactly what the title suggests.


    The Quiet Part Loud

    BRITISH POLITICS CHANGED YESTERDAY

    A screenshot of the Gorton & Denton by-election results from Feb 2026.

    This is the first properly optimistic thing I’ve written on politics in a while, I think.


    Upcoming Events

    Friday 13th March


    Dear Diary…

    I turn 50 in a few weeks, and part of me doesn’t really care, and part of me very much does.

    As ever, I’m going to use this as a notepad to help myself process what’s going on here.

    There is definitely a big part of me that is absolutely dreading it, particularly the day itself.

    In maybe August last year I realised I should probably get moving on organising a big splashy birthday party, and invite all my friends. I knew life would get busy, and the later I left it the more difficult it would get. Life gets in the way.

    Well, this time life absolutely got in the way. Life stood in the middle of the road and started building a barricade.

    By the time January rolled around, it was looking pretty unlikely I would pull this off. And then we had weeks of the whole family being ill, where I didn’t have the energy for anything other than looking after the children and getting the day job done.

    I was thinking of appropriating the Bastard English Session as a party for all my folky friends, so I could obviously utilise that, but I wanted to have something for non-folkies too. I provisionally asked H and Mark (my brother) to help book a local pub the following day where people could drop in.

    Yesterday I scrapped that idea. I just don’t want to do it. I realise I was just doing it because I thought that’s what you’re supposed to do.

    I do very much want to catch up with friends, but I remember my 40th birthday when my friends making a lot of effort to come to an event where I felt overstretched and like a bad host. I felt like I inconvenienced them for something I didn’t really give myself the chance to enjoy.

    This time I’ve come to the conclusion that I don’t want to see everyone on the same day. That is everything that stresses me about New Year’s Eve, multiplied by a thousand.

    Instead, I want to mark turning 50 by spending the whole year focusing on catching up with friends properly. At times that suit everyone, where we can have proper conversations.

    So yeah, that’s dealing with the day itself.

    But there is the more general microtrauma of being reminded of your mortality. Tick tick tick…

    Maybe I’m starting to come to terms with this, however.

    I think as we move from our teens to our twenties to our thirties to our forties and so on… we need to keep updating our identity. We need to rethink how we present ourselves to others, and to ourselves.

    This is the tricky part, I think. But once you know it needs to be done, it gets so much easier.

    So I am currently in the process of working out what kind of behaviour is socially acceptable in your 50s, and deciding which parts of that I agree with and want to lean into, and which parts of that I want to push against.

    For example I think there’s an expectation that, when you get deep into middle age, you become more focused on serving your community in whatever way you can. I’m very happy to lean into that. I think there’s also an expectation that you’ll start to despair about kids these days. Rotting their brains on social media, short attention spans, don’t know what it is to do a days hard work, blah blah blah. I’m happy to push back against that.

    Perhaps turning 50 doesn’t even really push me to face new situations. Perhaps it’s the same old trade-offs that just get more pronounced: you’re hopefully acquiring more wisdom, but also your time is running out.

    I found the transition from teens to twenties to be difficult. I found twenties to thirties to be easy. I found thirties to forties to be difficult.

    Guess we’ll see about the next decade. Everything to play for…


    So What Have We Learnt?

    One of the things that really saddens me about getting older is how little time I’ve been able to spend making music.

    No one has the time to do the things I really want, particularly in this economy, and I feel wildly privileged to be able to have made as much music as I have.

    But still, I always daydreamed it would be something I would constantly be doing, and that hasn’t played out.

    That said, I made a pretty strange discovery recently.

    I had decided that if I didn’t have the bandwidth to make new music now then it might be an idea to go through some of the old music I made years ago that I never released, finish it, package it up and put it on Bandcamp.

    So I had a trawl through, and I was a bit amazed to discover not only how much there was, but how good I thought it was.

    These are tracks that I had always thought of as early drafts that weren’t quite fit for public consumption.

    Being able to examine them years later, I’ve changed my mind. I think I was always embarrassed by the amateurish production value, but a) it’s actually pretty good and b) in a new era of generative AI slickness, that’s maybe even an advantage.

    I also realise that, individually, they might not be as strong as I might like, but when you put them all together, they do very much tell a life story. Much more so than I realised at the time.

    So I hope to be posting quite a lot more music soon, but from my murky distant past.

    This video below is one of my favourites, and I’m not sure how well it stands on its own. It was kind of a rushed demo. But if you know any of my other music, and my various philosophical obsessions within it, then hopefully it should carry a bit more weight.

    It’s called For A Moment.


    Ask me things

    If you have any questions then seriously, do please leave a comment or drop me a message here. About life. About the universe. About meeting up some time this year if I haven’t seen you in ages, because I would genuinely like to do it!

    Photo Credits

    • Click on the images to see the originals. (It just means less admin for me this way.)
  • British politics changed yesterday

    British politics changed yesterday

    UK by-elections generally don’t make that much difference, but the victory of the Green party yesterday in Gorton & Denton might be the biggest thing to happen in British politics since… pretty much as far back as I can remember.

    I want to explain why – mainly to myself because I’m still processing it.

    Below is a video from the Anywhere But Westminster series made by John Harris at The Guardian.

    In this series he goes to UK constituencies and just talks to people. In terms of UK politics I think this is the best journalism we have, because it quickly becomes clear where the voting intention is.

    Watching him visit and talk to the constituents in Gorton & Denton, it seems so clear to me that the Reform party were going to win.

    So many people, when asked what they cared about, focused only on the Reform talking points. Reform seemed to be running a very effective media strategy that was dictating the conversation.

    Reform’s chosen candidate, Matt Goodwin, didn’t seem like the kind of candidate who would resonate with that area, but I suspected that didn’t matter. Years and years of the Reform narrative via mainstream media would have done all the heavy lifting here.

    This also seemed to be the general trend of British, and indeed global, politics: when it came to an actual election, the candidate furthest to the right kept winning.

    So I was confident that, despite the optimism around the Greens, it would be a Reform victory – and a comfortable one at that.

    The Green party won. The Reform party lost. I haven’t been this happy to be wrong since Barack Obama won in 2008.

    I don’t, however, think this is an indication that the Green party will win the next general election. I don’t even think it’s a sign that Reform will lose it.

    The reason why I think this by-election is so important is that it feels like the a smoking gun in terms of understanding what has been happening in British (and global politics) over recent years.

    For so long, we’ve been talking about the rise of the Far Right. Mysteriously, at every election, the energy and momentum is behind Far Right candidates.

    What I think this by-election (and, incidentally, the election of Zohran Mamdani in New York) shows is that we are not witnessing the rise of the Far Right so much as the collapse of the Centre.

    No one is voting for the Centre Left and Centre Right parties.

    If you look at the way both the Labour party and the Conservative party fought this by-election, I think it’s not hard to see why. They are just not doing the work.

    They are complacent, they take their strengths for granted and don’t have a good understanding of their weaknesses. They are cynical and they follow outdated electoral strategies.

    Up to now, the only candidates who have been able to take advantage of this are Far Right candidates, because they have the backing of billionaires. However, with each progressive candidate victory, it’s becoming clear that they can win too.

    This isn’t necessarily great news for progressive though.

    Most countries have media ecosystems that are owned by billionaires, and that obviously gives the Far Right a huge advantage.

    The reason why I feel a lot more optimistic today is because the Green party won even though that video above really seemed to suggest the mood in Gorton & Denton was sympathetic to Reform.

    So how did they win?

    Something interesting about the result, if you look at the numbers, is that there was a clear split between the parties that really made an effort and the ones that didn’t.

    Many people, myself included, thought Labour would get spectacularly bad numbers. They didn’t. They weren’t that far behind Reform. So I take it that this time they decided to make the effort and go out and talk to people door-to-door.

    That’s what I think won this election: good old-fashioned face-to-face canvassing. Perhaps that video was unrepresentative, but the Anywhere But Westminster video series has generally been an excellent barometer of previous elections, and I can’t think what else could have turned the mood in the favour of the Greens..

    I think this election shows that progressive candidates with a clear positive message who put in the work of talking to their constituents face-to-face can outperform candidates with the backing of billionaire media. And they can do it comfortably.

    That doesn’t mean this will keep happening. I imagine Reform and other billionaire-backed parties will go home, regroup and come back with some new dirty tactics.

    However, this suggests that the old-fashioned approach of talking to constituents face-to-face is more effective than the toxic media bubble.

    And, at the very least, that gives all of us anti-fascists a fighting chance.

  • January 2026: Newsletter 101

    January 2026: Newsletter 101

    There’s gonna be a lot of changes round ‘ere.

    January 2026

    Newsletter 101

    This is the 101st edition of my newsletter, and I’m changing everything. I’m changing where it lives. I’m changing how it looks. I’m changing my whole approach to putting my music, and my thoughts, out in the world. And, by golly, it’s actually fun again.

    Okay, to be fair, at the moment it looks pretty much the same as it always did, but it now lives on my website rather than on the Mailchimp email newsletter platform.

    I’ll explain the reasons for the move in a bit, but it’s part of a shift in focus for me that I’m really excited by.

    I’ve rediscovered why personal websites are amazing, and generally undervalued and underappreciated. After years of lock-in on social media platforms, I’m really struck by how much you can do with them.

    Now, I have left this website to collect dust and mildew for a number of years, and despite my frantic updating in the last few days, I’m sure lots of it is still broken – sorry! But I feel like I actually have a vision for how it should work in future.

    In fact, this month I’ve got a bit carried away and maybe done a bit too much on this in too short space of time, so I feel like it might be even more chaotic than usual, but here’s what we have:

    A whole new separate section for the dark political stuff, so it’s a lot easier to avoid for anyone who isn’t feeling it. And also, some light relief I made last year.

    In terms of recommendations, it’s mainly folk or folk-adjacent music – some new, some old. But there’s also a couple of oddball recommendation choices in there too.

    And there’s also a lot about how to do creative projects online. Within a hostile and increasingly toxic walled-garden internet.

    Basically, I think we make our own little spaces of refuge.

    And this is mine.


    Featured

    MICROSONGS

    One fun by-product of overhauling this website is I’ve been trawling through all the stuff I’ve made over the years. This batch of microsongs is actually probably the most recent.

    Some of them are literally just a few seconds long, but each one cuts right to the very quick of the human condition.

    Be prepared to go on a pyscho-philosophical journey.

    Bring snacks.

    Featured

    THE QUIET PART LOUD

    Something I’ve written about before is that there is this tension being an artist in, or even just adjacent to, authoritarianism. Either you make your art about what the regime is doing, in which case they kind of win, or you ignore it, in which case you are tacitly treating it as normal, in which case you are tacitly endorsing it, in which case they win.

    I feel like it’s difficult to have something to say, however small your audience, if you’re not addressing the rampaging elephant in the room. But it can’t be the only thing you have to say. As we say now: joy is resistance.

    So I want to pull all my thoughts on the current state of world politics into a regular, but separate, article which readers can dip into if they’re interested, but which they can just avoid if they want to.

    This is the Quiet Part Loud.


    Recommended

    PANTO HORSE SONG

    Sometimes, it can just be as simple as clicking on a video by a musician you’ve never heard of because the title suggests it’s about a pantomime horse.

    A sweet and (deliberately) silly song. Highly recommended.

    Recommended

    MAVIN GAYE’S CLUELESS ASS

    Screenshot of a Spotify playlist by 'Diego' entitled "Marvin Gaye's clueless ass". The tracklist includes: What's Going On, What's Happening Brother, When Did You Stop Loving Me, Where Are We Going, I Don't Know Why, Why Did I Choose You, etc. It has 18,257 saves.

    This might be the first time that I’ve recommended a meme.

    But I saw this screenshot on Bluesky, and it keeps making me smile. (No disrespect to one of the greats of Motown.)

    It’s odd to suggest that a Spotify playlist could have perfect comic timing, but it does.

    Recommended

    CLAUDE CODE

    I appear to be recommending an AI tool from one of the big AI companies.

    But there has been so much talk about Claude Code that I feel like it’s worth identifying the cultural influence it’s having.

    Software developers are saying that this has already changed the way they make a code forever.

    Although, it’s probably worth adding a cautious caveat that I’ve also heard: making code is now incredibly cheap, but making software is still expensive. Edge cases, server maintenance, bandwidth costs, etc.

    But still, it seems pretty incredible.

    Recommended

    THE MUSIC WE LOST

    I mentioned that I’m trying to parcel off all the more distressing stuff into a separate article.

    This is, in its way, a pretty distressing video, detailing the Irish famine of the 1840s and how it has affected Irish music, culture and life ever since.

    It was recommended on the local folk Discord server, and if you are a folk nerd, I highly recommend checking it out.

    Recommended

    KYNTRA

    Another recommendation from the Bad Tradition Discord server. This time of a folk duo – one of whom I was in The Reverenzas with a million years ago.

    I haven’t seen young Henry Webster in a long time, as he lives in that London now. Although, rumour has it he’s been to local sessions and I’ve just missed him.

    But he was a great fiddle player then and he’s a great fiddle player now. The guitar playing is pretty great too.

    Recommended

    BJÖRK SINGS THE ANCHOR SONG (IN ICELANDIC)

    I still believe that Björk doesn’t get the recognition she deserves, as being perhaps Europe’s singular musical genius of the 1990s.

    Despite her playful genre-hopping, I still associate her with the electronic, synthetic, modernistic.

    But in this video, she just rides up to a local Icelandic church on her bicycle and plays the last song on her first debut album, singing in Icelandic.

    It’s a whole different side to her, and it feels to me like a ray of sun on a heavily overcast day.

    Here are the lyrics:

    I live by the ocean / And during the night / I dive into it / Down to the bottom / Underneath all currents / And drop my anchor / This is where I’m staying / This is my home


    Upcoming Events

    Friday 13th February


    Dear Diary…

    A couple of years ago I was so happy that I had finally found the ideal creative channel for making music the way I wanted to make it: YouTube. I would record music, and make music videos, and then document the process of making them and comment on any interesting tangents along the way. The videos were way too long and unfocused, but I don’t regret making them like that. It gave me the room to experiment, and find a new format that I could refine over time.

    Then… yeah. Trump. Again.

    His return sent panic through the jobs market, making it suddenly much more difficult to get the boring safe jobs in University admin that I’ve been relying on for the last couple of decades. But it also gave us Vichy Tech, and the realisation that these unimaginably wealthy and powerful platforms like YouTube would soon be weaponised against us.

    Now, I just shared the video below in the Quiet Part Loud, but I’m sharing it again here to expand on a different point.

    It seemed clear that the internet of the big social platforms, which had become an increasingly toxic place anyway, was about to become actively hostile. Real life community was likely to become increasingly important, but so were smaller, more private online communities. Places where connections and relationships weren’t filtered through political gatekeepers.

    Figuring out how this might work was a challenge for my music projects. But it was maybe a bigger problem for my day job.

    Because I had been getting exasperated with working in university admin – perhaps unsurprising after 20 years, on and off. And I started to explore the idea of freelancing: specifically, using my day job background in communications and marketing to help Oxford researchers promote their research and their careers.

    So I’ve spent the last few months doing just that: talking to researchers about how to communicate in 2026. From my many years working at Oxford I’d developed some pretty firm ideas about what works and what doesn’t. Ideas that tend to differ quite considerably from what the University tends to consider as best practice (and what I tend to consider is at least 10 years out of date).

    As I’ve been pitching my theories, however, about the dangers of dependence on platforms that might be politically weaponised, and about the challenges of posting online regularly when you have hardly any time, and about the challenges of staying in touch with your followers when Zuckerberg wants you to pay for that privilege… I started to realise that I was also talking to myself.

    I started to see the parallels between university researchers and purveyors of super-niche historical music.

    Maybe the monthly email newsletter, which I had really just kept going for fun all these years (10 years this March, incidentally!), was actually the one thing to focus on. Or rather, maybe it was the combination of an email – which goes out to your audience rather than waiting for them to come to you – and a personal website, where you put whatever kind of content you want.

    I suppose I was considering this for a while, but wasn’t really sure whether to commit to it.

    And then one day I was idly thinking about what it was I wanted from making music. I knew – I’d always known – how to build a career as a musician: you move to London, play a lot of gigs, pay attention to the audience and adjust your material until they love it. Then you get a manager and it all builds from there. I knew that, but I didn’t want to do it. That’s the same way to build and grow a YouTube channel, incidentally, but again I didn’t want to do it.

    Why not? Because for me the whole point of these projects was to realise the music in my head, not tailor it for an audience.

    Then I realised: these last few years I’ve been trying to be a semi-professional musician or a YouTuber, but I’ve been doing it wrong because what I want is to be neither of those things. I want to be an artist – that’s the technical term for someone who isn’t interested in ‘market fit’.

    And here’s the thing about being an artist: the whole point is to avoid formulas and quick workflows, and to come up with something totally new and original. That takes time. That takes a ton of time. And it will basically never leave time for marketing, or promotion.

    You just can’t do both.

    But the one thing that artists can do, so long as they’re happy with a small audience, is just make the best art they can, and put it out in the world whenever and however they can, and hope that word of mouth spreads. If it doesn’t, the art probably isn’t good enough yet.

    That was the thing that clicked for me, and made me realise that platforms like YouTube and Bandcamp might be where I host my stuff, but I really need to focus on the email/website combo rather than appeasing an algorithm.

    Oh, and I actually need to make some art!

    I mean… that’s the other big problem. I don’t think I’ve made anything I would consider art in many years. I haven’t had time, because I’ve been foolishly been trying to get the marketing funnel set up first. Maybe that’s why the writer’s block as lasted so long – I just hadn’t been giving myself the opportunity to practice?

    Anyway, I feel like I know what I’m doing now.

    But I have a lot of catching up to do.


    So What Have We Learnt?

    I moved the email newsletter to the website so that I wouldn’t be dependent on any online platform.

    But I also did it because it lets me do this:


    Ask me things

    If you have any questions then seriously, do please leave a comment or drop me a message here. About life. About the universe. It’s never been easier!

    Photo Credits

    • Click on the images to see the originals. (It just means less admin for me this way.)
  • Minneapolis, Davos and Adam Mosseri’s bleak future

    Minneapolis, Davos and Adam Mosseri’s bleak future

    THE QUIET PART LOUD

    So, 2026: new format, new ideas, new regular feature.

    In the days after Trump was elected, I made this video:

    TL:DW is that I can see a fundamental obstacle to being an artist under an authoritarian regime: either you make your art about what the regime is doing, in which case they kind of win, or you ignore it, in which case you are tacitly treating it as normal, in which case you are tacitly endorsing it, in which case they win.

    I feel like it’s difficult to have something to say, however small your audience, if you’re not addressing the rampaging elephant in the room. But it can’t be the only thing you have to say. As we say now: joy is resistance.

    So I want to pull all my thoughts on the current state of world politics into a regular, but separate, article which readers can dip into if they’re interested, but which they can just avoid if they want to.

    This is the Quiet Part Loud.

    Part 1 – Minneapolis: the seeds of the US resistance movement?

    January 2026 feels like a turning point. Although feelings can be deceptive, because thinking back it also feels like every single month for at least a year and a half is some kind of turning point.

    The year began with a dramatic escalation from the Trump administration, and I’m not going to list all the drama. However, out of all of it I think the world’s gaze has turned to the ICE occupation of Minneapolis.

    And just to add this explanation once again: whilst this is a domestic US crisis, the US is still effectively the global bank, police officer, court and media provider, so I believe we should all pay attention.

    I want to start by focusing on a disagreement between two influential American historians. Professor Heather Cox Richardson, who I have recommended in my newsletter, has writes a daily letter explaining the current US crisis in terms of its history, and it is read by over a million followers on Substack.

    In this recent video she urged her followers to put pressure on congressional Republicans, but right now only they have any power.

    Enter rising star Tad Stoermer.

    He is also a scholar of American history, but specifically resistance history: those times when effective resistance movements were built and changed the countries political direction.

    His latest video responds explicitly to Richardson, and other moderates, who are suggesting that Americans just need to appeal to the better nature of an openly fascist government in the middle of an uninterrupted power grab.

    He is utterly scathing.

    The TL:DW of this is that history tells us no attempt to appease or persuade a tyrant has ever worked. Ever.

    And to suggest that only congressional Republicans hold power now is to basically give up on democracy. Power exists beyond congresses and parliaments. Citizens can resist, agitate, push back, put the regime under pressure.

    Stoermer makes the point that finally we’re seeing this in the United States, in Minneapolis.

    But there is such a stark, shocking disconnect between the cowardice and inertia of the Democrat leadership and the energy and activism on the ground.

    About an hour ago, YouTube just fed me a great example of this: an interview with a community organiser.

    Aru Shiney-Ajay describes how they all can feel the fear of living in a military occupation, but the amount of solidarity, compassion, organisation and community is like nothing she’s ever seen in over 10 years of activism.

    Citizen patrols are walking the streets, and when they see ICE operatives they message their Signal chats, and then blow whistles, which summon more citizens, until eventually they outnumber ICE considerably, and the ICE abduction is aborted.

    Now.

    I don’t want to suggest that’s American fascism over with. It’s barely begun. But I find it hard to imagine these citizens will go back to normal after this. Once they are routinely risking their lives for each other, the desire to avoid conflict in case ‘things get bad’ is gone.

    A smart government might try to roll this military occupation back, and try it incrementally at a slower pace when the country isn’t watching.

    This is not a smart government.

    And, although it is still early days, there are some who are saying that Trump has already lost ‘the Battle of Minnesota’.

    Here’s Jamelle Bouie of the New York Times:

    I’ll round up this section by taking a little detour.

    There’s a creator I’ve been following – a trans academic studying the far right whose social media handle is Nope Brigade – whose videos have been getting more and more… well, terrified.

    After the Charlie Kirk assassination, they said they were contemplating fleeing the US. Then they said they had decided it was time.

    And then they stopped posting. For weeks.

    Every now and then I’ve typed ‘Nope Brigade’ into my search, but nothing new came up.

    Then, a few days ago, they posted this:

    I try to remind myself, when I find myself drawn from the safety of my sofa into who is winning the sport of right vs left, that the horror has already begun for so many people.

    We still have time to stop that horror spreading to the UK. But that time will soon run out.

    Part 2 – Even the masters of the universe are spooked

    The World Economic Forum held their annual event at Davos this month. By most accounts, the Trump crowd turned it into an absolute clown show. Here is a highlight reel:

    I found this video from US media’s favourite rich smart-arse professor Scott Galloway:

    I think Galloway is often funny, self-deprecating, insightful… but also a good representation of how the rich are living in a different reality.

    And I think he knows it. Indeed, that video is basically Galloway talking about how none of these ‘masters of the universe’ – politicians, tech gurus, financiers, celebrities, etc. – really know what’s going on.

    He talks about a sense of unease they all have. Like what’s coming next is going to be bad for everyone.

    That surprised me for some reason. I suppose I imagined that it would all be a bunch of ashen-faced minions sitting round a big table while a masked chairman taps his fingers together and says “Goood… everything seems to be going to plan…”

    Once again, it makes me feel like the big story of the moment is not about a bunch of Silicon Valley geniuses overthrowing democracy, or a Republican party full of mannequins being operated by unknown billionaires.

    It’s about a political establishment of what David Graeber called ‘extreme moderates’ who will do anything, will cross any moral or legal line, to appease their opponents. Leaving their opponents victorious… but confused and disorientated. Like naughty children desperate to know where the boundaries are.

    Let’s talk about those Silicon Valley geniuses though. Let’s talk about the modern media landscape.

    Part 3 – They shoot horses, don’t they?

    On New Year’s Eve, Head of Instagram Adam Mosseri published a blog post about his predictions for the future of the platform. And everyone’s been talking about it.

    I’ve seen a bunch of creators complement him for his honesty and insight, and discuss how to tweak their content strategies going forward.

    But for those of us who have decided to get off that ship and paddle to our own little open-web island, he… well, he said the quiet part loud.

    Mosseri talks about his concern that AI slop will soon flood Instagram, and it will become impossible to establish what is real.

    He suggests that, now more than ever, the creators who can be real, authentic, transparent and consistent will be the ones who stand out.

    So what’s the problem with that?

    First of all, he is describing a problem that is very much of his own making, as Allison Johnson of The Verge points out.

    But basically, his point is…

    Yes, we have already enshittified our platform so badly that it’s like a bearpit down there. And this new AI technology (which Instagram’s parent company Meta is heavily invested in) will make it much much worse. And despite Meta being one of the 10 wealthiest companies on the planet, we have decided not to invest any money in restricting or labelling AI content or generally making our platform a more pleasant place to be.

    No. That is all on creators now: our dutiful little gig economy workers.

    You just need to work harder, pedal faster, dance more frantically. You just need to study your analytics, outcompete your peers, and never take a day off.

    And you need to be more authentic, more real. You need to put more of your actual life, your actual emotions, your actual soul into our disposable empty calorie snackable content.

    Because even though you personally don’t have a snowball’s chance in hell of making a sustainable income on this platform, we can at least take all of that personal data from your content and sell it to advertisers, which is how we keep the steamroller rolling.

    It reminds me of the novel / movie They Shoot Horses Don’t They, about a real life Squid Game in 1920s America where contestants had to basically dance to death for a cash prize, and the entertainment of the crowd.

    But the backlash is already brewing.

    Something The Verge has been talking/writing about a lot lately is that the big tech platforms have now all utterly lost the trust of the public. Any sense of the benefit of the doubt is now gone.

    I’ve been thinking a lot about this interview I saw recently of comedian Chris Gethard, talking about the ‘Creator Apocalypse’.

    Everyone talks about the creator apocalypse all the time, but he had some excellent points I hadn’t heard before.

    He points out that the big tech platforms are now selling the idea of ‘being a DIY artist’ as a reason to use their platforms.

    And because the frog has been boiling for a while, we haven’t really noticed that any trace of a real DIY artist culture was ground out long ago.

    The platforms have used this as an excuse to pass all of the work and all of the expense onto the creators, who they make fight for tiny bits of attention, which the platforms can dial up and dial down at will with their algorithms.

    Lots of this great discussion resonated with me, but I want to highlight this excellent point:

    The platform algorithms will boost anyone talking about the problem. But they will suppress any talk of the solution.

    Gethard also talks about how the big tech platforms operate like the company store in an Appalachian coal mining town. They pay you in their own currency (‘scrip‘) that isn’t usable anywhere else.

    Conclusion

    So all of that is pretty bleak.

    But yet… here I am. On my own website. Back on the open web, and this time with a convert’s zeal.

    Because, for all the nihilism of the plutocrats right now, we do still have incredibly powerful tools for communicating with each other.

    I’ll end this very long rant (“If I had more time I would have made it shorter…“) with the video that inspired me to jump ship.

    In this talk to South By South West, independent journalist Molly White reminds us that… “You know that websites are still a thing, right?”

  • December 2025: I’m addicted to workahol

    December 2025: I’m addicted to workahol

    I thought I could handle it.

    December 2025

    I’m addicted to workahol

    Urgh. Another year end. They feel like they’re going so fast now. And sorry, I know I’m always whining about them as they end. In my defence, aren’t they just a precision-crafted ritual for worrying about where your life is, and isn’t, going? Unless you had a great year, in which case I’m glad someone is, and I genuinely hope next year is even better for you. But I think for a lot of people this one has been particularly suboptimal.

    And in 2026 I have the joy of turning 50 years old. Something I am treating like PE class way back in school: decidedly un-fun, but there’s not much I can do about it.

    A big part of this feeling is that I have had a pretty stressful 2025 – dominated by the constant threat of losing my job, and, you know, [gestures broadly] – and I feel like that’s made me not much fun to be around.

    Anyway, now that I have a bit more bandwidth I’m trying to be more constructive and to strike the right balance between identifying problems ahead and focusing on joy now.

    Part of that is going to be more of a focus on actually making music again (which I’m still in the very early stages of).

    Part of it is also going to be about spending more time with friends, family and community, and that’s really what I want to focus on in this newsletter.

    First, let’s do some recommending.


    Recommended

    MK.GEE

    Mk.gee was big about a year ago, and as ever I’m late to the party. I feel like he’s writing the most creative and original pop/rock music I’ve heard since Hyperpop.

    I first heard about him through Guitarist YouTube™ where guitar influencers were singing his praises for seemingly trying to make music they would hate!

    It’s like he took a checklist of all the things good guitar tone is supposed to have, and he then deliberately did the opposite. Instead of a classic Fender Stratocaster plugged into a vintage valve vamp and recorded with perfect microphone placement, he plugs directly into a crappy old four track cassette recorder and then slathers on chorus and reverb.

    And it sounds great. His singing is pretty impressive too. He reminds me, oddly, of a sort of neo-soul Steve Vai.

    And I think this video is beautifully hypnotic.

    Recommended

    ANORA

    If I was a bit more disciplined then I’m sure I’d be recommending the new Knives Out movie I mentioned last month (which I haven’t had time to see yet). Instead, I’m recommending an Oscar-winning movie from last year.

    Actually, full disclosure: Anora is a movie I have started but not finished, and I am watching in 15 min chunks, when parenthood allows. (Less easy to do that with a whodunnit.)

    So far, it feels like it’s part screwball comedy, part doomed romance, part Ken Loach drama, and part melancholy coming of age story.

    I eventually realised I had watched a million billion YouTube video essays on how great director Sean Baker is, and I figured I should check out what the fuss is about. Particularly as this, his latest film, won the Cannes Film Festival Palme D’Or and won Oscars for best director and best lead actress.

    He makes the kinds of films which I would make if I was a director and, you know, had magical powers. He treads that incredibly gossamer-thin line between making (a) realistic stories about people with tough lives (with lots of creative input from those communities) and (b) warm-hearted films that don’t make you want to jump off a building.

    Recommended

    DREW GOODEN TAKES ON THE TECH BROS

    One of the early stars of Vine who migrated to YouTube, Drew Gooden has been doing talking-head comedy monologues since around 2017.

    But this video recently set the Internet all a-chatter.

    Suddenly he’s taking on political economics, and the graphs are coming out. And finance experts on YouTube have been going… “that’s actually quite a good analysis!”

    Why does this matter?

    Well, for all that mainstream news and entertainment is getting flattened and enshittified, I’m seeing more and more beloved quirky creators with huge audiences loudly and meticulously taking on the plutocrats. And this is important, because – being influencers – they influence a lot of people.

    The Wealth Inequality debate seems to be seeping more and more into everyday discourse.

    Recommended

    BLUMINECK

    This is Dave: an archer, pole dancer, medieval weapons fanatic and YouTuber who also goes by the name of Blumineck.

    Just when you thought YouTube was an endless sea of monotonous repetitive podcasts.

    I just think it’s so refreshing to see someone who seems to be a genuinely nice chap and who is not only having a lot of fun but is showing off some serious skills.

    At the beginning of this Q&A video, he throws an apple into the air and then shoots it with a bow and arrow before it hits the ground. And he does it so casually.

    He also talks about how he became a pole dancer, and gives a very thoughtful and considered answer to the question of why he isn’t on Only Fans.

    Oh, and… er… it really does seem like everyone but everyone is talking about Wealth Inequality.

    Recommended

    DR HOPE vs GOOGLE AI

    The aptly-named Ed Hope is a junior doctor who found internet fame with his pandemic dispatches from the trenches. He was appointment viewing for me during that time, although the algorithm has hidden his videos from me of late.

    This video is, unfortunately, another case of how AI is ruining our lives.

    Because he recently discovered that whenever anyone googles his name, the new Google AI overview will confidently tell you that he, Dr Hope, has been struck off for medical malpractice.

    This absolutely isn’t true, and a quick follow-up search will reveal that the AI is confusing him with someone else. But most people don’t click that far.

    Moral of the story: Google Search is terrible now.

    Recommended

    NOELLE PERDUE on 404 MEDIA

    This is a great conversation between the increasingly ubiquitous (in a good way) 404 Media and online pornography historian Noelle Perdue, that covers a lot of ground and goes to all sorts of interesting places.

    They start by bonding over their mutual love of ‘parody porn’. Game of Bones, Bill & Ted’s Sexcellent Adventure, Ten Inch Mutant Ninja Turtles, The Loin King… you get the idea. “There is a real art to it, because you want [the title] to be recognisable, and it has to be as stupid as possible.”

    They move on to how the anti-porn laws are creating a culture of online censorship, deliberately or otherwise.

    Then Perdue has some really surprising things to say about erotic chatbots: she was very early to write about them, and initially she thought they sounded like a great idea. Somewhere for people to explore without the possibility of real world damage. Now she thinks the opposite, and believes the lack of reality is extremely dangerous.

    And that might sound obvious, but it’s worth hearing her explanation of it.

    Recommended

    SANTA GEORGIA by NANCY KERR

    I expected to start a bit of a flame war on the local folk music Discord server when I suggested that Nancy Kerr is the best songwriter in the English folk tradition.

    Slightly disappointed that everyone then went ahead and agreed with me.

    Anyway, this song of hers has been my earworm for the last couple of weeks (well, this and the dastardly Wiggles, obviously). It’s about how she found leaving the narrowboat she had lived on for 12 years and moving to inner city Sheffield.

    It’s catchy as hell, imho.

    “So farewell cold winter, we will all shine out together…”


    Upcoming Events

    Friday 9th January


    Dear Diary…

    So the employment situation I’ve been complaining about all year has stabilised a bit. And I’m starting to get a bit of free time back.

    I’m inching back into writing music again, although – as I mentioned in last month’s newsletter – I continue to deal with the problem that my ambition has vastly outrun my abilities, and there is still a lot of catching up to do.

    But something else I’ve been able to focus on, which feels long overdue, is hanging out with friends again.

    The last time I was focusing on this was actually the month before Trump was re-elected. I wrote a newsletter about how you need to ‘find your people’ and maintain those relationships, and then that got swallowed by the doomscroll for the next year and change. But now it’s back in my foreground, at least.

    In fact, it keeps being in my foreground and then being pushed out by world events. I realised my social circle was shrinking dramatically just before the pandemic hit. And at some point I journaled an idea that has haunted me ever since and I think I’ve mentioned here several times before: ‘if you come out of a global pandemic being too busy for your friends them you’ve learned nothing.’

    However, I realise now that I learned this lesson a long time ago. It’s just harder than it seems.

    Of course it’s difficult to spend time with friends when you have two young children, but when I think back to before I was a parent, I found it difficult then too. I even found it difficult back when I was single.

    Or perhaps difficult is not the right word.

    What I used to understand but had forgotten is that having a social life is not about making a decision in the moment. For me at least, it requires long-term planning. If I wait until I am in the mood to see friends and family, it will never happen. And I’ll go into detail why not in a moment. But it’s never something I’m going to spontaneously do.

    If, however, I plan my whole routine and schedule more carefully, and actually mark out regular social time, then I will want to do it when the time comes. Not least because I will be frequently reminded why it’s important.

    To a certain extent, yes, scheduling a social life is more difficult when you’re a parent, because your daily life just has more moving parts. But, again, it’s not like it was ever straightforward for me, and this month I have been reminded that it’s totally normal to have to cancel and postpone from time to time.

    Doing some kind of communal activity like music can really help, though. Way back in the ‘find your people’ month before Trump I was considering starting some sort of band again. Or maybe even a folk club.

    Now, I feel like I would need a bit more employment stability to fully engage with that in this moment, but it does feel more plausible than it has in a while.


    So What Have We Learnt?

    Why am I unlikely spontaneously choose to hang out with friends?

    Well, this relates to the title of this month’s newsletter. (My brother always used to make the joke: “yes, you are addicted to workahol.”)

    For a long time I think I’ve been ambivalent about self-identifying as a workaholic, because in my mind this is somebody who is always pulling all-nighters and hovering around burnout. And I’ve always been pretty careful to make sure I lead a balanced life.

    But I realise that, by a slightly different but equally valid definition, I absolutely am a workaholic.

    Because whenever I get any free time, all I want to do is work.

    Given the choice, this ‘work’ will be composing music, but it could be many things: journaling my thoughts, scheduling my tasks, doing various household chores or even noting down some wild project idea that I know I’ll never get the time to do.

    Perhaps it’s that introvert/extrovert thing: some people get their energy from socialising, but I very much get my energy from focusing on making something in a solitary way.

    And I really don’t think that’s a decision: I think that’s just how my brain is wired.

    But I realised that this is the reason why without a concerted effort my social life withers away.

    But realising this month that my workoholism has always been a kind of social barrier feels like quite a big deal to me. I feel I can now see why it’s a problem I keep bumping up against.


    Ask me things

    If you have any questions then seriously, do please leave a comment or drop me a message here. About life. About the universe. About wealth inequality. You know I won’t shut up about it until you do.

    Photo Credits

    • Click on the images to see the originals. (It just means less admin for me this way.)